Costantini Biniou Information, Review, Specs

Make
Costantini
Model
Biniou
Builder
Chantier Costantini
Designer
Gilles Costantini
Number Built
Production Year(s)
1967 - 1977

The Costantini Biniou occupies a storied niche in the history of French yachting, emerging from the legendary Chantier Naval Costantini in La Trinité-sur-Mer during the late 1960s. Designed by Gilles Costantini—the naval architect who worked alongside Éric Tabarly to create the world-conquering Pen Duick II—the Biniou was conceived as a compact, accessible family cruiser that inherited the performance DNA of its racing-bred predecessors. Launched in 1967, the Biniou was a standard-bearer for the "plywood revolution," a period when French builders utilized marine-grade plywood and epoxy to create light, stiff, and affordable hulls that could outperform the heavier, traditional timber or early fiberglass vessels of the era.

At approximately 7.00 meters (22.97 feet) in length, the Biniou was designed to be easily handled by a small crew or even single-handed, reflecting the growing demand for recreational coastal cruising. While the shipyard produced several models on either side of this size, the Biniou remained a distinct design, characterized by its sharp entry and hard chines—a hallmark of plywood construction that provides excellent initial stability and a recognizable, classic silhouette.

Sailing Performance & Handling

The Biniou’s performance is defined by its lightweight construction and Gilles Costantini's focus on hydrodynamics. With a displacement often cited around 1,200kg, the boat has a relatively high sail area-to-displacement ratio for a 1960s cruiser, making it remarkably responsive in light to moderate airs. Its hull shape, featuring a fine bow and a flat run aft, allows it to plane or "surf" in following seas more readily than its heavy-displacement contemporaries.

Handling is generally described as "nervous" in the best sense—sensitive to helm input and sail trim. Because of its hard chines, the Biniou offers a very stable platform once it reaches its initial heel angle, "locking in" and tracking well to windward. According to technical archives from Voiles et Voiliers, the design emphasizes a balanced helm, though like many light plywood boats of this vintage, it requires timely reefing to maintain composure as the wind rises above 15-18 knots. The boat’s draft of 1.15 meters provides a good compromise between upwind lift and the ability to access shallower coastal anchorages common in the Brittany region where it was born.

Interior Comfort & Variations

For a 23-foot vessel designed in the 1960s, the Biniou offers a surprisingly functional interior, though it adheres to the "Spartan-plus" ethos of early French cruisers. The layout typically features four berths: a V-berth in the forepeak and two settee berths in the main cabin. While headroom is limited—precluding standing room for most adults—the cabin is brightened by long side windows and an open plan that avoids the claustrophobia of more traditional wood boats.

Construction materials inside are primarily varnished plywood and mahogany trim, reflecting the builder's craftsmanship. Storage is tucked under the berths and in small lockers behind the settees. While most Biniou models were built to a standard specification, some variation exists in the galley arrangement; some owners opted for a simple slide-out stove, while others utilized a fixed corner unit. The Biniou does not typically feature a dedicated enclosed head, reflecting its role as a "weekend cruiser" or "coastal hopper."

The Biniou exists in a family of designs from Gilles Costantini that includes the smaller Biniou 6.50 variant and the larger Costantini 30. While they share the same hard-chine plywood aesthetic, the Biniou 700 remains the most balanced iteration for those seeking a mix of day-sailing agility and overnight capability.

The Biniou is frequently mentioned in the context of the Association Éric Tabarly and the history of the Pen Duick fleet, as it represents the "everyman" version of the design philosophies that won the 1964 OSTAR. It is often celebrated in French maritime heritage festivals in La Trinité-sur-Mer and Brest as a survivor of the era that transitioned yachting from an elite pastime to a popular sport.

Known Issues & Buyer’s Checklist

Purchasing a Biniou today requires a specialized understanding of plywood-composite maintenance. While robust, these vessels have specific vulnerabilities:

  • Plywood Delamination: The most critical area for inspection is the hull-to-deck joint and the chines. If water has penetrated the protective glass or paint layer, the marine plywood core can rot or delaminate. Use a plastic hammer to "tap-test" the hull for dull thuds that indicate soft spots.
  • Chainplate Anchors: On older Costantini models, the chainplates are often bolted through plywood bulkheads. Check for water staining or "weeping" at these points, which can indicate structural weakening of the wood.
  • Keel Bolt Integrity: The ballast keel is bolted to a reinforced wooden floors system. Ensure there is no "smile" (a gap) at the leading edge of the keel-to-hull joint, which may suggest the internal wooden structure has compressed or softened over time.
  • Rudder Post and Bearings: The rudder is often a simple spade or transom-hung design. Check for play in the pintles or the internal tube, as these are common wear points on boats that have seen decades of coastal use.

Community & Resources

The primary resource for Biniou owners is the French heritage sailing community. While there is no longer a dedicated factory support system, the Association des Propriétaires de Biniou (and broader Costantini owner groups) often congregate on French-language forums and at regional classic boat rallies. Technical drawings and historical specifications are often maintained by the archives of the Cité de la Voile Éric Tabarly, which preserves the legacy of the shipyard.

The Verdict

The Costantini Biniou is a "sailor’s boat"—a minimalist, high-performance antique that offers a direct connection to the water and French maritime history.

Pros:

  • Excellent light-air performance and responsiveness.
  • High historical value as a Gilles Costantini design.
  • Light enough for easy trailering or economical slip fees.
  • Stiff, stable hull thanks to the hard-chine design.

Cons:

  • Requires high-intensity maintenance compared to solid fiberglass.
  • Limited interior headroom and lack of modern amenities (e.g., enclosed head).
  • Vulnerable to rot if the exterior coating is neglected.

Measurements

Construction & Hull

Construction Material
Fiberglass/Wood Composite
Hull Type
Monohull Sailboat
Keel Type
Bulb
Rudder
1x —
Ballast
1157 lbs (Iron)
Displacement
2646 lbs
Water Capacity
-
Fuel Capacity
-

Dimensions

Length Overall (LOA)
22.97 ft
Waterline Length (LWL)
18.04 ft
Beam
7.55 ft
Draft
3.61 ft
Max Headroom
-
Air Draft
-
Hover over a measurement
IJPE FS LOALWL

Rig & Sails

Rig Type
Masthead Sloop
P (Main Luff)
-
E (Main Foot)
-
I (Foretriangle Height)
-
J (Foretriangle Base)
-
Forestay Length (est)
-
Sail Area
271 sqft

Calculations

Sail Area / Displacement (SA/D) Ratio
22.66
Ballast / Displacement Ratio
43.73
Displacement / Length Ratio (D/L) Ratio
201.2
Comfort Ratio
14.18
Capsize Screening Formula
2.18
Hull Speed
5.69 kn