Show 34 Information, Review, Specs

Show 34 Drawing
Make
Show
Model
34
Builder
Barberis
Designer
Doug Peterson
Number Built
Production Year(s)
1974 - ??

The Show 34, designed by the acclaimed French naval architect Alain Jezequel and built by Cantieri Barberis, stands as a quintessential example of the "Made in Italy" era of performance cruising. Launched in the mid-1970s and produced into the 1980s, the Show 34 was conceived during the height of the International Offshore Rule (IOR) influence, yet it avoided many of the extreme distortions common in pure racing machines of that time. It represents a bridge between the aggressive racing spirit of the 1970s and the more balanced requirements of a family coastal cruiser. With its sleek lines, characteristic Jezequel bow, and robust fiberglass construction, the Show 34 became one of the shipyard's most successful models, solidifying Barberis's reputation for producing yachts that were as aesthetically pleasing as they were capable at sea.

Sailing Performance & Handling

The Show 34 is defined by its IOR-era pedigree, which translates to a yacht that excels in upwind performance and light-to-medium air. Alain Jezequel’s design features a relatively deep fin keel and a skeg-hung rudder, providing a balanced and predictable feel at the helm. According to technical assessments found in Italian maritime publications like Giornale della Vela, the boat is noted for its ability to point high and maintain momentum through a chop, a byproduct of its moderate displacement and well-distributed ballast.

With a masthead sloop rig, the Show 34 carries a significant amount of sail area in its genoa, requiring an active crew to manage headstay tension and sail trim as the breeze builds. In heavier air, the boat displays the typical IOR characteristic of a "pinched" stern, which can lead to some rhythmic rolling when sailing deep downwind under spinnaker. However, owners frequently report that the Show 34 feels significantly more stable and "stiff" than its smaller sibling, the Show 29, making it a viable offshore contender for experienced sailors. The hull's entry is fine, allowing it to slice through waves rather than slamming, which contributes to a more comfortable motion in a seaway compared to modern, flat-bottomed production boats.

Interior Comfort & Variations

For a vessel designed in the late 1970s, the Show 34 offers a surprisingly functional and warm interior, heavily utilizing teak and mahogany joinery that was a hallmark of the Barberis yard. The layout is traditional: a forward V-berth cabin provides private accommodations for two, followed by a full-width head compartment. The main salon features opposing settees with a central folding table; on many hulls, the backrests of the settees can be raised to create additional pilot berths, a common feature for offshore racing yachts of that period.

The galley is typically located to port, featuring a gimbaled stove and a deep sink, while a dedicated, forward-facing chart table sits to starboard. This chart table is a point of praise in editorial reviews by Bolina, as it provides a professional-grade workspace rarely found in modern boats of the same length. A quarter berth tucked behind the navigation station provides a secure bunk for the off-watch crew during passages. While the headroom is generous (approximately 1.85m to 1.90m), the interior can feel somewhat narrower than modern wide-beam cruisers due to the hull's significant tumblehome. Barberis offered minor interior variations, primarily focusing on the presence or absence of the pilot berths in the salon to cater to either "Racing" or "Standard" cruising configurations.

Known Issues & Buyer’s Checklist

Prospective buyers of a Show 34 should approach the vessel with an understanding of its age and the construction techniques of the 1970s and 80s.

  1. Osmosis: Like many Mediterranean builds from this era, the Show 34 is known to be susceptible to osmotic blistering. A professional hull survey with moisture readings is essential, particularly if the boat has spent its life in warmer waters.
  2. Deck Core Integrity: The decks are often a sandwich construction with a balsa or plywood core. Owners on various technical forums frequently discuss soft spots around the chainplates and stanchion bases where water ingress can rot the core over decades.
  3. Mast Step and Rigging: The mast is deck-stepped, supported by a compression post that transfers loads to the keel. It is vital to inspect the base of this post and the structural floors for any signs of compression or deformation under the high loads of the masthead rig.
  4. Engine Replacement: Many Show 34s were originally equipped with Bukh or early Yanmar diesel engines. Many units have reached the end of their service life; buyers should check if the engine has been repowered or if the original cooling system (often raw-water cooled) has significant internal scale.
  5. Chainplate Attachment: The IOR-style rig puts significant tension on the shroud attachments. Inspect the interior bulkheads where the chainplates are bolted for signs of "working" or rot in the timber.

Community & Resources

The Show 34 benefits from a dedicated following in Europe, particularly within the Italian sailing community. The Associazione Classe Show has historically served as a touchstone for owners, though much of the technical exchange now occurs through broader Italian classic boat registries. Technical drawings and historical brochures are occasionally maintained by enthusiasts of the Alain Jezequel design office, which remains a respected name in French and Italian yachting history.

The Verdict

The Barberis Show 34 remains a highly regarded classic that offers a level of build quality and sailing "soul" often missing in contemporary mass-market sailboats. It is a sailor's boat—rewarding to those who enjoy taming a masthead rig and appreciating a hull that tracks with precision.

Pros:

  • Exceptional Aesthetics: Timeless Alain Jezequel lines that still turn heads in any marina.
  • Upwind Ability: Superior pointing ability compared to many modern cruisers of similar size.
  • Construction Quality: Robust fiberglass work and high-quality interior woodwork from a premium era of Italian boatbuilding.
  • Value: Often found at a competitive price point for those willing to invest in a classic.

Cons:

  • IOR Quirks: Can be temperamental and "roll-prone" on a dead run in heavy air.
  • Maintenance Intensive: Older systems and the potential for osmosis require an owner prepared for ongoing stewardship.
  • Cockpit Ergonomics: The cockpit is optimized for a racing crew and can feel cramped compared to modern "open transom" designs.

Measurements

Construction & Hull

Construction Material
Fiberglass
Hull Type
Monohull Sailboat
Keel Type
Fin
Rudder
1x Spade
Ballast
4400 lbs
Displacement
10780 lbs
Water Capacity
50 gal
Fuel Capacity
16 gal

Dimensions

Length Overall (LOA)
33.67 ft
Waterline Length (LWL)
27.2 ft
Beam
10.86 ft
Draft
6 ft
Max Headroom
-
Air Draft
-
Hover over a measurement
IJPE FS LOALWL

Rig & Sails

Rig Type
Masthead Sloop
P (Main Luff)
40 ft
E (Main Foot)
10.5 ft
I (Foretriangle Height)
43.47 ft
J (Foretriangle Base)
14.11 ft
Forestay Length (est)
45.7 ft
Sail Area
548 sqft

Calculations

Sail Area / Displacement (SA/D) Ratio
17.96
Ballast / Displacement Ratio
40.82
Displacement / Length Ratio (D/L) Ratio
239.15
Comfort Ratio
23.85
Capsize Screening Formula
1.97
Hull Speed
6.99 kn